This post was originally published as “Who Was Otagaki Rengetsu?” in Lion’s Roar, April 11, 2019. Her pottery, inscribed with her poems, has a down-to-earth appeal coupled with a sublime beauty. Her elegant calligraphy, done in the curvaceous women’s script known as hiragana—more emotionally accessible than classical Chinese characters—touches us through its simplicity. But it is …
